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    <title>thebahamasweekly.com - </title>
      <link>http://www.thebahamasweekly.com</link>
      <description>Bahamas News and events :: audio and video, tourism info and more. 
</description>
      <pubDate>Mon, 13 Feb 2017 01:45:37 PST</pubDate>
      <language>en-us</language>
      <item>
        <title>“I” – A Curious Collaboration</title>
        <link>http://www.thebahamasweekly.com/publish/art-life/I_A_Curious_Collaboration33212.shtml</link>
        <category>Art Life - Susan Mackay</category>
        <description>





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	&lt;img border=&quot;0px&quot; align=&quot;left&quot; alt=&quot;&quot; src=&quot;http://www.thebahamasweekly.com/uploads/14/Columns-Susan.jpg&quot; /&gt;&lt;/span&gt;




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	&lt;span style=&quot;font-family: Arial;&quot;&gt;
		
		
		
		
		&lt;span style=&quot;font-size: 10pt; font-style: italic;&quot;&gt;19 Artists &amp;amp; Makers - 6 Countries - 6 Weeks to Collaborate &amp;amp; Deliver&lt;br /&gt;
			
			
			
			
			&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
	
	
	
	
	The
 idea for “I” came from a delightful Christmas present from Santa Claus!
 The Art of Not Making by Michael Petry, did not quite fit into my red 
Christmas stocking, but was welcome all the same!&lt;br /&gt;
	
	
	
	
	
	&lt;br /&gt;
	
	
	
	
	
	The premise of 
the book is an in depth look into artists who use ‘makers’. In other 
words artist who sometimes find others to fabricate their exotic ideas. 
This is usually due to the technical requirements that the artist may 
have no experience with.&amp;nbsp; However, even if the artist never touches the 
work, it is usually the sole property and ownership of the artist – the 
maker is not acknowledged...&lt;br /&gt;
	
	
	
	
	
	&lt;/span&gt;</description>
        <pubDate>Fri, 14 Feb 2014 10:48:07 EDT</pubDate>
        <guid isPermaLink="true">http://www.thebahamasweekly.com/publish/art-life/I_A_Curious_Collaboration33212.shtml</guid>
      </item>
      <item>
        <title>The Meaning of Flowers</title>
        <link>http://www.thebahamasweekly.com/publish/art-life/The_Meaning_of_Flowers32581.shtml</link>
        <category>Art Life - Susan Mackay</category>
        <description>




&lt;span style=&quot;font-size: 10pt; font-family: Arial;&quot;&gt;&lt;br /&gt;
	
	
	
	
	
	
	
	
	&lt;img border=&quot;0px&quot; align=&quot;left&quot; alt=&quot;&quot; src=&quot;http://www.thebahamasweekly.com/uploads/14/Columns-Susan.jpg&quot; /&gt;I’ve been fighting shadows, in this case the shadow has a name, ‘Insurance Company’.&lt;br /&gt;
	
	
	
	
	&lt;br /&gt;
	
	
	
	
	A
 little hidden clause in my contract means that although they will pay 
for water damage, they will not pay for wood that has rotted due to 
water damage. Apparently, I was supposed to telepathically know that 
there was water leaking behind the pristine white tiles, before it 
became ‘rotted wood’.&amp;nbsp; To placate me, the smooth-voiced man on the phone
 from the insurance company, apologises for not calling me back, and 
notes that he will—as a special request—send another inspector to the 
property to reassess their denial of my claim...&lt;/span&gt;</description>
        <pubDate>Thu, 16 Jan 2014 23:42:59 EDT</pubDate>
        <guid isPermaLink="true">http://www.thebahamasweekly.com/publish/art-life/The_Meaning_of_Flowers32581.shtml</guid>
      </item>
      <item>
        <title>The Great Tapestry of Scotland</title>
        <link>http://www.thebahamasweekly.com/publish/columns/The_Great_Tapestry_of_Scotland31366.shtml</link>
        <category>Columns</category>
        <description>



&lt;span style=&quot;font-size: 10pt; font-family: Arial; font-style: italic;&quot;&gt;&lt;br /&gt;
	
	
	
	&lt;/span&gt;



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         &lt;img src=&quot;http://www.thebahamasweekly.com/uploads/14/Columns-Susan.jpg&quot; border=&quot;1&quot; alt=&quot;Columns-Susan.jpg&quot; width=&quot;160&quot; height=&quot;235&quot;&gt;&lt;br clear=&quot;all&quot;&gt;
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I did not expect to be moved by a tapestry, but I should have known better…&lt;/span&gt;&lt;br /&gt;
	
	
	
	&lt;br /&gt;
	
	
	
	Stitching
 has long fascinated me. Maybe due to the early influence of Maggie 
Lechie’s needlework pictures framed in my family home or the white linen
 table cloths with neat embroidery stitches done by my Mother when she 
was young. Either way stitching fascinates me.&lt;br /&gt;
	
	
	
	&lt;br /&gt;
	
	
	
	Stitching, as a 
general term, encompasses anything from the practical – dressmaking, 
quilting and darning, to the aesthetic, for example embroidery – with a 
plethora of different types of stitches – yet there are fundamental 
similarities to all forms: There is a front and back; an element of male
 and female; there is a sense of continuity as the thread is pulled 
through...&lt;/span&gt;</description>
        <pubDate>Thu, 07 Nov 2013 18:41:02 EDT</pubDate>
        <guid isPermaLink="true">http://www.thebahamasweekly.com/publish/columns/The_Great_Tapestry_of_Scotland31366.shtml</guid>
      </item>
      <item>
        <title>Artwork defaced at National Art Gallery of The Bahamas </title>
        <link>http://www.thebahamasweekly.com/publish/national_art_gallery_nagb/Artwork_defaced_at_National_Art_Gallery_of_The_Bahamas27517.shtml</link>
        <category>National Art Gallery (NAGB)</category>
        <description>


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Nassau, Bahamas - 
Late last week, the National Art Gallery of The Bahamas (NAGB) issued an
 apology to to the public and to Grand Bahamian artist Susan Moir Mackay
 on the defacing of her multimedia piece entitled Conversation which 
hangs prominently in the NAGB&#39;s newest exhibition, SingleSex. SingleSex 
features imagery of women by Bahamian women artists and is a part of the
 Transforming Spaces 2013 Art Tour.&lt;br /&gt;
	
	
	&lt;br /&gt;
	
	
	The piece Conversation 
depicts the female nude form with physical openings placed at the 
throat, the heart and the genitalia/reproductive areas of the body. On 
the left side of the form hangs a white stone tied to a piece of twine 
against a dark...&lt;/span&gt;</description>
        <pubDate>Fri, 29 Mar 2013 01:06:38 EDT</pubDate>
        <guid isPermaLink="true">http://www.thebahamasweekly.com/publish/national_art_gallery_nagb/Artwork_defaced_at_National_Art_Gallery_of_The_Bahamas27517.shtml</guid>
      </item>
      <item>
        <title>Roots of a Contemporary Alchemist</title>
        <link>http://www.thebahamasweekly.com/publish/art-life/Roots_of_a_Contemporary_Alchemist20857.shtml</link>
        <category>Art Life - Susan Mackay</category>
        <description>&lt;br clear=&quot;all&quot; /&gt;





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&lt;span style=&quot;font-size: 10pt; font-family: Arial;&quot;&gt;Transforming Spaces 
opens next weekend – 24th and 25th March. The annual event that takes 
tour buses around art galleries in New Providence for a feast of art, 
has a twist this year.&amp;nbsp; The organisers sent out a call for proposals 
based on the theme “Fibre”, specifically a re-imagining of indigenous 
fibre.&lt;br /&gt;
	
	
	
	
	
	
	&lt;br /&gt;
	
	
	
	
	
	
	It seems to me that with every piece of art I make, I hit a
 moment where I curse that I ever had the idea!&amp;nbsp; This moment hit me very
 clearly when standing in Port Lucaya on a cool dark winters evening, 
with my pink folder in hand, pen and a pair of scissors handy,&amp;nbsp; as I 
approached a young woman sitting on a step busily typing on her laptop.&lt;br /&gt;
	
	
	
	
	
	
	&lt;br /&gt;
	
	
	
	
	
	
	She is surrounded by others who, like her, are taking advantage of free wifi...&amp;nbsp; &lt;/span&gt;</description>
        <pubDate>Sat, 17 Mar 2012 10:58:34 EDT</pubDate>
        <guid isPermaLink="true">http://www.thebahamasweekly.com/publish/art-life/Roots_of_a_Contemporary_Alchemist20857.shtml</guid>
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