Cultural activist, Selah Poitier has launched an online petition at Change.org which provides a proposal to The Bahamas Government's Ministry of Youth, Sports & Culture.
She writes, "Despite
the immense amount of overqualified and experienced Cultural advisors
in The Bahamas, our Government has refused to take any of the advice
given to them and spent $9 million dollars on creating a Carnival here
instead of investing any of that much needed funds into our own
authentic Bahamian Folk traditions, Arts programmes or Cultural
festivals like Junkanoo. Ironically, Trinidad just recently invested
$9.7 million dollars to further develop their own Carnival in hopes of
having their festival held every month."
"According
to Somali archaeologist Sade Mire, "Cultural heritage is a basic need'.
If that need is not met, there will be an identity crisis. The last
time the Bahamas Government recognized the urgency and importance of
establishing 'identity' or had any vision of preserving 'authentic'
cultural heritage and expression, and the development of it was all the
way back in the 1960s during the Tourism Golden age of The Bahamas. It
wasn't only our sun, sand and sea that drove visitors to our shores; it
was also our 'CULTURE' being presented at a high level on an
international and local platform that drove them here and produced
International Bahamian legends such as George Symonette, Eloise Lewis,
Maureen DuValier, Blind Blake and others.
"Governments
around the world who’s countries have the strongest cultural aesthetics
in the world all had historical time periods and movements when they
strategically used their cultural experts, ethnomusicologists and
anthropologists to help determine and document the national and ethnic
identity of the Country.This included the most identifiable folk
traditions as their foundation, and over the course of history this
resulted into what we see and recognize as their culture today. Cuba,
America, Trinidad and Jamaica are great examples of that.
"Our
leaders have repeatedly failed because there aren’t any persons in
leadership position any longer who possess the passion for preservation
of ‘authentic’ Bahamian culture. Jamaica's former Prime Minister Edward
Seaga went from being one of the most important and successful Producers
and record company owners in Jamaica to becoming Prime Minister of his
country and set the stage for the 1960s boom in Ska, and the explosion
of interest in reggae music in the '70s by identifying, developing and
investing heavily in Jamaica’s folk traditions and cultural heritage.
His establishments of the Jamaica Festival gave the music and culture of
the island an annual showcase and pushed what it needed to hit the
world stage with their own authentic culture. We need that same exact
passion within our Government.
"Our
West African tradition of 'Junkanoo' is our largest cultural expression
other than Rake ‘n’ Scrape and is the essence and soul of Bahamian
culture that also played a large part in political and social
development. Over the years it has deteriorated as our language and
dialects have simultaneously been decreolizing. Since folk music and
dance is the heart, voice and spirit of the common people, then we as
the common people must fight for our cultural survival and very
‘identity.’
SIX (6) Proposals and Initiatives the Government should take into serious consideration.
1. JUNKANOO IN JUNE Festival (REINSTATE IT AND DEVELOP IT)
The
Bahamas Government has made assertions that Carnival was needed in our
Country because there wasn’t anything on a large scale to feature a
series of activities including concerts, cultural shows and street
parades to boost the economy’s revenue but failed to mention that
Junkanoo in June had similar features.
However, like many other initiatives geared towards our culture, it didn’t get the economic attention it deserved.
The
Bahamian taxpayer’s money was spent on Government cultural officials
including Nicolette Bethel, former director of Culture and Bahamian
musician and Cultural expert Fred Ferguson to travel to Barbados’ Crop
over, Trinidad’s Carnival and The New Orleans Jazz & Heritage
Festival where various studies were taken to look at the templates that
made them successful in order to improve our festivals. Instead of the
intended purpose to simply expand our festival, the only result noticed
was an abundance of feathers, beads, music and even stilt walkers which
as a result caused our festival to look and sound more like theirs.
The
Junkanoo in June Festival was held at Arawak Cay and consisted of a
series of activities including Junkanoo rush outs, Bahamian food from
various vendors and local restaurants, the selling of Bahamian clothing
including our national dress of ‘Androsia’, Bahamian art by local
artists on display, high school bands, police marching bands, cultural
performances by various popular Bahamian acts, headliners, artists
promoting Bahamian rake ‘n’ scrape music and Junkanoo that many tourists
and locals thoroughly enjoyed.
A
Song Competition was established in an effort to stimulate the music
industry through songwriting and to possibly add to the songs that were
performed during the annual Junkanoo Parades, much like the competitions
in Trinidad and Barbados.
Original songs that were traditional or contemporary Bahamian Rake ‘n’ Scrape and Junkanoo were required.
On
the final night of the Festival, the winners are crowned after a series
of judging and the contestants performed for large crowds backed by
live bands. The entire format which took years to develop was eventually
changed and is now practically non-operational due to lack of vision
from the Government’s Ministry of Tourism who is responsible for this
event.
This
Junkanoo in June’s festival can be expanded from the initial two days
and two nights to a Junkanoo festival week featuring all things
authentically Bahamian without importing any outside influences.
The
Festival can include a participatory Junkanoo Rush Out where visitors
and locals can purchase Junkanoo costumes and be a part of the parade to
bring back crowd participation capturing the essence and Spirit of
Junkanoo without the competitive aspect. The Festival should also
include bringing in winners from the Cat Island Rake ‘n’ scrape festival
to perform, Andros Regatta and Eleuthera Pineapple Festival to be
crowned and featured. The winners of the Clement E. Bethel National Arts
Festival can also be featured performers.
The
template is already there in the Ministry of Tourism, but the onus is
on the Government to reintroduce the festival at a National and
International level with the same energy used to establish the Junkanoo
Carnival Festival.
2. National Junkanoo Museum
Every
year, following the major Junkanoo Parades, we see costumes left on the
side of the street, wasted. Many man hours are used creating
masterpieces only for them to be discarded as garbage. This begs for the
possibility of creating a National Junkanoo Museum for storing and
preserving these pieces. Junkanoo preservation groups including the
Doongalik Studios Art Gallery and Educulture Bahamas should be included
in this venture.
This
National Junkanoo museum is to secure and exhibit the best costumes
from all Junkanoo groups from all of the Junkanoo Festivals to be
preserved and used to showcase these unique works of art as cultural,
historical, educational and artistic attraction for students, Bahamian
citizens and tourists to view all year long.
This
promotional and marketing tool can be used to excite visitors to want
to experience and see these vibrant and colourful costumes each with its
own ‘story’ come alive in the actual Festival taking place throughout
the year for themselves.
A
hall for live music performances from Bahamian musicians and art
showcases featuring local Bahamian artists, a cafeteria selling Bahamian
dishes and delicacies, a library filled with books on Bahamian history,
cultural heritage and a book store to sell them can all be included in
this Museum which will in turn produce great exposure for the arts
community in The Bahamas.
3. Ministry of Tourism & Culture OR Ministry of Culture and the Arts
Cultural
activists, enthnomusicologists, anthropologists, musicians, dancers and
artists have been echoing the same sentiments for many years to remove
the Ministry of Culture from The Ministry of Youth and Sports and attach
it to The Ministry of Tourism since they essentially go hand in hand
and because we have proven time and time again that we do not give
'CULTURE' in this country the justice it deserves. OR, create a separate
Ministry solely dedicated to development of Culture and the Arts.
4. Hall of Fame
Ronnie
Butler, a Bahamian Musical Legend and Cultural Icon, the creator of
commercial Rake 'n' scrape and someone who has contributed tirelessly
and immensely to Bahamian music being what it is today has yet to be
honoured on a National level. He was however honoured at the 12th Annual
Caribbean Hall of Fame Awards for Excellence 2014 in Jamaica outside of
the country. Since we missed the golden opportunity to honour him
firstly, we should feel compelled to call on the Government to build a
Hall of fame for Cultural Icons to further educate the Bahamian public
on these historical and cultural figures who’ve contributed greatly to
our cultural development and honour and appreciate them. (HONOURABLE
Mentions: Joseph Spence, Exuma (Obeah Man), Maureen DuValier (Calypso
Mama), Eloise Lewis, George Symonette etc.)
5. Cultural advisory board/ National Arts Policing body
These group of qualified persons will:
-
Determine the criteria to be inducted into the Hall of fame
-
Be
the national policing body of the arts as it relates to who is sent to
represent the country at international events who must meet the high
standards set,
-
Determine
how we will honour our outstanding youth that represent the country
abroad in the arts, like The Bahamas All Stars who made history by being
the first international marching band to be invited to perform in the
Macy’s Thanksgiving Day parade,
This body will be equivalent to the BAAA's who police the Sports affairs of the country.
6. National cultural foundation
This
will be the official Government appointed body of qualified persons who
will oversee the cultural landscape of The Bahamas. This foundation
will be the ones to organize the cultural festivals offering Bahamians
and visitors high quality cultural forums, develop and maintain the
National performing arts theatres and all other cultural facilities. In
short, this foundation will govern all major and National events,
promote culture as a tool for national development, promote the National
cultural festivals on an international scale, provide various
opportunities and jobs for persons interested in this field with proper
training and equipping, fuel research, implement educational courses on
Bahamian heritage to place in schools and provide opportunities for
Bahamian artists to showcase their talents on a local and international
level pushing high quality music of The Bahamas.
Our Authentic
Bahamian culture is good enough to market on an internationalscale. It
has been done before, and it can surely be done again!
You can sign the online petiton here by clicking this link!
Selah Poitier is a Bahamian
Musician, Singer, Actress, Cultural Activist, Ethnomusicologist and
senior at Berklee College of Music in Boston. She plans to attend Havard
University this year to further her studies in ethnomusicology and
anthropology.
Disclaimer:
The views expressed here are solely those of the author in his/her
private capacity and do not in any way represent the views of
TheBahamasWeekly.com